A 40 minutes brisk walk from home and the rolling, snow covered fields provide a beautiful subject to photograph. The wide scale is emphasised by the snow and the indistinct line between the ground and the sky is intriguing.
Camera work: Canon 5Dmk4, Lens: 70-200 f2.8L, 1/125, f/9, ISO 800 (handheld).
Hi Manoj, These are there more abstract images from yesterday morning (01/11/20) at Loch Chon that you wanted to see. The exposure was causing havoc with the camera sensor so I still need to sort out the colour grading.
An insanely early trip to Loch Awe and Kilchurn Castle this week. Arriving at 5.30am before sunrise we picked our way through the marsh to the edge of the water and waited for the dawn. The air was still and clear with a magical display of stars above. To be honest, the images from this trip are a bit underwhelming but there’s always something to observe and learn. The photographs have a subtle shift in colour as the light rises from a blue pre-dawn light that is flat and mysterious with 30 seconds of exposure time to the warmer tones at first light and the harsher contrast and warmer light as the sun clears the hills.
Niall and I got to discussing the merits of each situation. Most of the pictures we have seen are taken after sunrise because most people are infinitely more sensible than the the two of us stumbling around in marshland in the dark to catch the very first light of the day. The fully lit scene is normal. It looks like the landscape we all experience. It’s ok but its familiarity makes it less interesting I think. That blue, flat light that comes from no direction in particular is a rare thing. We both agreed that even if we did not make any earth-shattering images that day just to be in that light, at that place for a few minutes to experience something that is out of the ordinary is worth the 3am rise.
Camera work: Canon 5D3 with a 17-40L at 17mm, 0.4″@f/16, ISO 100.
Conditions: Moderate breeze. Heavy rain.
Out at Loch Chon in the Trossachs area near Aberfoyle for sun up today. Thanks Manoj for the company and your patience in the face of being soaked to the skin to get a photograph.
It rained heavily and incessantly for hours and hours. I love these conditions. It’s challenging but pays off with the beautifully muted colours and the separation the rain creates between the Island in the middle of the loch and the forest behind.
At this point I dropped my camera into the loch and my morning’s work came to an abrupt end. Had to happen someday. This is the danger of working with a tripod in the rain while up to your knees in water. I must buy one of those fancy camera bags that allow access to camera without having to juggle on open sack on your knees. My apologies to everyone I previously told that such bags were a gimmick. Consider me bitten in the bum.
I like Pittenweem. I was minding my own business getting interested in all the shades of blue and the little lighthouse. Messed up my filters by putting the 6 stop ND filter in the second slot of the filter holder instead of the first one. Getting grumpy. Then I notice a bunch of folk, perhaps 20 trekking up the narrow pier behind me. Now I am surrounded. Flash mob? Out comes the boom box playing Trad Scots Music and they all start doing the Canadian Barn Dance or similar. Awkward. Do I carry on like nothing is going on or watch, perhaps join in? I do like Pittenweem.
The scourge of digital photography is the “costlessness”of pressing the shutter release. Excuse the invention of a new word for this. This is a case in point. I took about 10 images of the same scene. I like them all. They are all my babies. Then I have to pick a favourite. Film was easier (…is easier if you’re Bruce Percy…) I guess as you had a single chance and that was it. Perhaps film was harder as you had to be sure of your intention and timing. After much pacing around and squinting at the 10 this was the one that won out… For today.
For the large version please click on the image in gallery page 2.