Larger versions of the images are available in Gallery 1 above.
A late January snow fall and the radio spits out those magical words: “Snow gates closed at the Spittal of Glenshee”. Early morning start for the 90 minute drive up to Dunkeld and then on up the A93. It’s been a wet, windy and mild winter yet again so it was nice to see some real winter weather at last. Thanks Joe for the company and driving the last bit.
The magic of snow is the simplification it brings to the form of the landscape. Individual trees and rocks suddenly have a presence and place that would otherwise be drowned out by the background of similar colours and shapes. I am constantly looking for that visual rhythm and visual Haiku that arrests the eye and the imagination. In the images taken with a long lens over the brow of the hills the lack of any discernible detail and the almost, but not quite, identical tone of white in the snow and the sky gives a sense of endless space. I didn’t go out with any expectations but came back with a lot to think about.
Autumn has definitely taken hold down at Milton Pond this morning. Very still conditions with mirror perfect reflections on the water and the rising sun lighting up the mist. Camerawork:5D3, 1/60th”@ f/8, ISO400. 2 stop soft ND grad on the sky.
mirror man, Loch Earn, St Fillans.
After a relaxing day out at Glen Orchy and Glen Etive with a couple of landscape photography buddies we headed home as the light faded. Joe was keen to check out this chap who has been installed at one end of Loch Earn. Looks a bit like an alien who has come to visit us from across the galaxy somewhere.
Taransay from Beinn Dhubh
Taransay from Beinn Dhubh, Isle of Harris. Hazy but beautiful light. Moderate wind and swell. Canon 5D3, f/8, 1/30th”, 17-40lens at 24mm, ISO100. 1 stop hard grad ND filter on the sky.
Scarista Beach, Isle of Harris
Canon 5D3, 0.5″@f/11 ISO100. 17-40L lens at 29mm.
Stormy conditions but the soft light had the usual Harris effect of turning everything into pastel shades. The stormy conditions first thing in the morning meant we had this corner of paradise all to ourselves.
Two shots from the Troon a beach town on the west coast of Scotland. West coast sunsets can be a grey dull thud or an all singing, all dancing affair of light and colour.
I need to get a bit more decisive. Normal exposure or long exposure? I keep dithering between the two.
Tech: 5D3, 24-70 lens, 2 stop hard grad on the sky and a 6 stop ND for the long exposure.
Conditions: Very still, moderate visibility. Broken cloud.
Troon sunset with concrete.
Troon sunset with concrete. Long exposure.
Poppies and Pomegranate
Three recent still life images.
Loch Chon, Trossachs, Scotland.
On most days this stand of trees is hard to make out against the conifers on the hill behind. One of the great benefits of the Scottish weather is the frequency of mist and rain that throws a soft blanket over the distant forest making the whole scene “pop”. Nature’s own Photoshop.
Tech: camera 5DMk2, Lens: 20-200L at 150mm, ISO100, 1/10 sec at f/8.
Buachaille Etive Mor at Sunrise Mid-Summer
Summer morning on Rannoch Moor, Scotland. Captured about 8am. Last shot before I packed up to go home. 15 minutes later the low clouds had dispersed. I still don’t really understand how the mountains stimulate these micro-climates into being. Must add that to my reading list!